Cinema: Willie & A Dream Come True

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First is “Willie” by Danny Lyon.

This documentary succeeds in its exploration of a unique and often overlooked facet of America, focusing intently on Willie, a recurring figure in Lyon’s photographic and cinematic oeuvre, and the distinctive cultural landscape of New Mexico.

While the interview segments were often straightforward and perhaps even a bit rudimentary in their execution, their admissions of wrongdoing, coupled with expressions of remorse (at least those captured on camera), suggested a complex understanding of their circumstances, implying that many are, to a significant extent, products of challenging environments and systemic issues—a somber reflection that extends far beyond the scope of this specific documentary.

Its authentic portrayal of its subjects and its ability to evoke genuine emotion is not to be taken for granted.

Watch here.

Our second film is A Dream Come True by Otar Koberidze & Mikhail Karyukov.

This classic Soviet science fiction film is a remarkable example of the genre’s long tradition in the former Soviet Union. Its visuals are truly sensational, surpassing many Western sci-fi films of its time in ambition and quality, a feat made possible by the full backing of the state.

The film boasts impressive space effects for 1963 and surprisingly good set designs, reminiscent of an extended Star Trek: The Original Series episode, except with… musical sections.

The plot sees Russian cosmonauts rushing to Mars after an alien spaceship crashes on its way to Earth, only to find it devoid of life. Despite the lack of fleshed-out writing or particularly strong acting, the film maintains a charming and optimistic tone. Its cozy Soviet sci-fi atmosphere is enhanced by ethereal aesthetics, heartfelt emotional moments, and a wonderful sense of optimism.

Watch here.